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武明中的《国际饭店501》由三部分组成。 其一是，将国际饭店501 房间作为展览现场，在十二扇窗户上安装了葡萄酒的玻璃装置，观众可以通过装置来观看人民广场。七十多年来，下榻501 房间的客人多数是上海的过客，501 房间既目睹了人民广场的历史变迁，也体会着来往房客的人生百态。同时，在上海美术馆北楼也安装有葡萄酒的玻璃装置，让观众从跑马厅得以与国际饭店501 房间一同遥视人民广场。其二是，绘制十二幅作品通过501 房间的十二扇窗户观看集物质、奢华、欲望、流动为一体的人民广场，体现了分隔、重叠、整合的综合表达。其三是，透过晃动于葡萄酒中的501房间窗户拍摄人民广场，传达时光流逝的瞬间和微妙的流动感。

Wu Mingzhong’s Park Hotel 501 is based on room 501 of the Park Hotel, and can be broken down into three parts: first it uses room 501 of the Park Hotel as an exhibition space, installing a glass container filled with wine in each of the room’s 12 windows. Visitors to the exhibition view The People’s Square through these containers. Over the past 70 years almost all of the guests that have stayed in this room were just passing through Shanghai, implying that the room has not only seen tremendous historical changes in The People’s Square, but also changes in the nature of the guests. At the same time these wine filled glass containers have also been installed in the northern wing of the Shanghai Art Museum, allowing visitors to see The People’s Square from a distance from both the racetrack and from Park Hotel 501. Second, Wu painted the views from the 12 windows in room 501 observing materialism, luxury, desire and movement in the Square. These paintings are displayed to match the arrangement of windows in room 501. Lastly, video images of The People’s Square were taken from hotel room 501, expressing spontaneity and fluidity through the movement of the wine.

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由台北市立美术馆谢小韫馆长带队的台北双年展一行十人，来我馆参观第七届上海双年展，并与我馆各部门主任进行双年展工作交流，促进“三馆联动”计划，加强双年展互动与合作工作，进一步推进两岸文化交流与建设。

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昨夜华尔街上空雷电交加、狂风骤雨。快客驾上尹秀珍的飞行器，展翅飞翔五小时来到华尔街看骤变的股市。华尔街的股市如同文章中的起承转合，时至今日只能在立交桥下面亮起双跳灯。

今天，旧金山现代艺术馆Neal  Bcnezra馆长带队一行51位馆员及董事会成员风尘朴朴来上海，参观上海双年展。上海与旧金山一样都是移民城市，因此，他们在展厅中敏锐地感受着与之相交的“快城快客”。

其实只有常常朝夕穿梭于上海与旧金山的快客才能说出“快城”与“快客”的故事，更重要的是谱写了“快客是怎样炼成的”的史诗。